Lai Chi Man 黎志文
野外 In the Field, 2013
紙.丙烯與水彩
Acrylic and Watercolour on Paper
Acrylic and Watercolour on Paper
50 x 68 cm
在紙張上藉由各種磨、擦、塗、撕、抹、畫等動作，去捕捉他心中的意念與造型，以 介於雕塑與繪畫「之間」的藝術形式呈現，黎志文稱之為「紙上操作」。 「野外」之中，綠草、河流、天空等自然意象若隱若現，纏繞、碰撞的筆觸又好似人 內心複雜思緒的再現。 By a variety of grinding, brush, painting, tore, plastering, Lai Chi Man captures his thoughts and modelling about the concept of “between”. Through the form of...
在紙張上藉由各種磨、擦、塗、撕、抹、畫等動作，去捕捉他心中的意念與造型，以
介於雕塑與繪畫「之間」的藝術形式呈現，黎志文稱之為「紙上操作」。
「野外」之中，綠草、河流、天空等自然意象若隱若現，纏繞、碰撞的筆觸又好似人
內心複雜思緒的再現。
By a variety of grinding, brush, painting, tore, plastering, Lai Chi Man captures his thoughts and modelling about the concept of “between”. Through the form of art that is between sculpture and painting, Lai Chi Man achieved his own “operations on the paper”.
In the paper artwork “In the Field”, natural elements such as river, grass, and the sky are partially hidden and partially visible. And the entangled and colliding brushstrokes resemble the complex thoughts in the mind of human beings.
介於雕塑與繪畫「之間」的藝術形式呈現，黎志文稱之為「紙上操作」。
「野外」之中，綠草、河流、天空等自然意象若隱若現，纏繞、碰撞的筆觸又好似人
內心複雜思緒的再現。
By a variety of grinding, brush, painting, tore, plastering, Lai Chi Man captures his thoughts and modelling about the concept of “between”. Through the form of art that is between sculpture and painting, Lai Chi Man achieved his own “operations on the paper”.
In the paper artwork “In the Field”, natural elements such as river, grass, and the sky are partially hidden and partially visible. And the entangled and colliding brushstrokes resemble the complex thoughts in the mind of human beings.
